Steinunn Thórarinsdóttir

2018-2019 ACEDEMIC YEAR

Borders is an installation made of two different materials: cast iron and aluminum. The figures are based on my son´s body which brings them closer to me as a family. The show comments on the contrasts in life and the human condition in the 2 contrasting materials, light and shadow, heavy and light, heaven and earth. It comments on the opposites of human existence – on division but also unity and the fact that we are all connected despite our differences. The work is presented in a reflective and mirroring way, as if in silent conversation. The viewers can experience themselves as a connecting force over a type of border that forms between the mirroring pairs. The installation engages the viewers in a direct and intimate way as the figures occupy the same space as we do and encourage interaction. The figures can be seen as symbols of humanity and cultural diversity.

From the beginning of my career almost 40 years ago I have worked figuratively.  Not in an anatomical or naturalistic way, but I have used the human being as medium for expression.  The works explore the human condition in all its variety and strangeness and how man relates to the environment and to each other. The figures are mostly life size, and the atmosphere is reflective and meditative.  They are androgynous symbols of mankind. They have an amorphous and a deliberately anonymous quality. Despite their seeming anonymity the works are based on my older son´s body which brings them closer to me as a family. I use a lot of different materials such as cast iron, aluminum, concrete, bronze, plaster, lead, and glass. The material is carefully chosen to support the idea each time. When working on commissions or site-specific installations, larger shapes connected to the sites are often created as part of the installations, taking note of the surrounding area in shape, color, and spirit.  

A dialogue between the viewer and the work is formed with a tactile and personal interaction as the figures occupy the same space as we do. The viewer often feels the need to touch the sculptures and approach them. Due to the neutrality of the works and the fact that they are life size, the viewer experiences the possibility to interact, touch and identify themselves with the sculptures. The works emphasize a common imagination despite being introverted at first glance. They portray frozen moments of discovery and contemplation. They should be experienced to have a generosity of spirit that defies the often harsh materials used and the neutral character. The aim is to leave a lot to the imagination and experience of the viewer, hence the emphasis on anonymity and androgyny. They are firmly rooted in my Icelandic origin reflecting the power and proximity of the elements.